2013 – A Look Back at a Year in Movies

Note: This post is not specifically about the films that were released in 2013, but rather the ones I watched during the year.  I will do my annual Top 10 of the prior year list towards late February/early March when the Oscars are over and I have had a chance to see most of the acclaimed 2013 films.  I haven’t seen many of the potential Oscar nominees yet.

2013 Movie Milestones:

·        In January I joined Letterboxd and rated over 5,000 of the films I had seen.  I had to add hundreds they didn’t have.  Other than the 1990s, I never have gone back and tried to do a thorough check for the movies I missed.

·        In February I completed watching the new films that had appeared on the IMDB Top 250 list for Year end 2012.  I had seen the 500+ other films from the 1998-2011 year end lists, so this was just “re-completing” the whole.

·        In May I completed the Entertainment Weekly Top 100 Films of All Time list.

·        In July I completed the entire 1,001 Movies You Must See Before You Die list.

·        In October I completed the 49 new September 2013 additions to the 1,001 Movies list.  I also completed the Time Magazine All-Time Top 100 Films list and the Sight & Sound Directors’ Top 100 list.

·        In December I completed the Sight & Sound Critics’ Top 250 list.

In 2013 I saw a total of 666 films that were new to me.  Really.  I wasn’t even trying to hit that number, so what are the odds?  I actually double checked my math to be sure.  There are a dozen or so shorts in the big total.  I also re-watched 22 movies in 2013.  I had a high of 106 films (and 5 shorts) in March and a low of 5 films in August.  Of those 666 films I had 2 I rated five stars, 7 I rated four and a half stars, and 48 I rated four stars.

Here are those 57 movies I saw in 2013 that I rated at least 4 stars.  Among them are 13 non-English language films, 3 animated films, 7 documentaries (plus 3 more “mockumentaries”), and 4 silent films.  The four star films are not presented in any kind of ranking within the star rating, but simply the order in which I saw them.  You will perhaps note that three of them had exclamation points in their titles.  This did not in any way affect my ratings of them.  Probably.  J

Five stars (ranked):

1.  3 Idiots (2009) – a comedy/drama from India all wrapped within the mystery of a classmate that disappeared.

2.  Gimme Shelter (1970) – a contemporary documentary on the Rolling Stones’ 1969 U.S. tour which ended with the killing at Altamont.

Four and a half stars (ranked):

3.  Departures (2008) – Japanese film with poignancy, unexpected humor, and great beauty.

4.  POM Wonderful Presents: The Greatest Movie Ever Sold (2011) – documentary from Morgan Spurlock (Super Size Me) on product placement in films…that was entirely paid for by product placements in the film.

5.  Django Unchained (2012) – Tarantino’s most recent film.

6.  The Last Command (1928) – Emil Jannings’ crowning achievement, and that’s saying something considering his acting career.

7.  The Other Dream Team (2012) – documentary on the battle the lesser known Lithuanian Olympic basketball team went through to make the 1992 Olympics against the celebrated Americans.

8.  Wreck-It Ralph (2012) – a fantastic journey down memory lane for anyone old enough to have played arcade games as a kid, as well a genuinely entertaining story.

9.  Thor: The Dark World (2013) – a worthy successor to The Avengers and much better than the first Thor film.  It takes its place alongside the first Iron Man film as the best of the individual Avengers movies.

Four stars (not ranked):

Elmer Gantry (1960)

Life of Pi (2012)

She Gets What She Wants (aka Slap Her, She’s French) (2002)

Ruby Sparks (2012)

Argo (2012)

Silver Linings Playbook (2012)

Bernie (2012)

The Perks of Being a Wallflower (2012)

Side By Side (2012)

Friends (with Benefits) (2009)

The Nines (2007)

Man Bites Dog (1992)

The Story of a Cheat (1936)

The Bishop’s Wife (1947)

The Intouchables (2011)

Kevin Smith: Burn in Hell (2012)

Tora! Tora! Tora! (1970)

Johnny Belinda (1948)

Shaft (1971)

The Secret World of Arietty (2010)

Too Big to Fail (2011)

Smiles of a Summer Night (1955)

Iron Man 3 (2013)

Day for Night (1973)

Sayonara (1957)

Tonight You’re Mine (2011)

Whisky Galore! (1949)

Real Life (1979)

In a Lonely Place (1950)

Oz the Great and Powerful (2013)

Hysteria (2012)

Turn Me On, Dammit! (2012)

The Great White Silence (1924)

The Adventures of Prince Achmed (1926)

F for Fake (1973)

Now You See Me (2013)

Delicacy (2011)

Castaway on the Moon (2009)

Placido (1961)

Your Sister’s Sister (2011)

Jack Reacher (2012)

Much Ado About Nothing (2013)

Les Miserables (1935)

One Hour With You (1932)

Souls for Sale (1923) 

Micmacs (2009)

The Hobbit: The Desolation of Smaug (2013)

Gravity (2013)

The longest films among these are 3 Idiots (170 minutes), Django Unchained (165 minutes), and The Hobbit: The Desolation of Smaug (161 minutes).  The shortest are The Adventures of Prince Achmed (65 minutes), One Hour With You (80 minutes), and Tonight You’re Mine (also 80 minutes).

In addition to the lists I completed during the year I am actively working on several others.  Here are my year end statuses for them.

Film List	How Much Complete	Percent
Oscar Best Picture Nominees:	445 of 503	88.47
101 [Genre] Films You Must See Before You Die:	456 of 607	75.12
They Shoot Pictures Don’t They – Current list:	801 of 1,000	80.10
They Shoot Pictures Don’t They – Complete list:	966 of 1,395	69.25
Empire Top 100 World Films:	95 of 105	90.48
Empire Top 500 Films of All Time:	465 of 500	93.00
Roger Ebert’s Great Films:	321 of 374	85.83
Consolidated Top British Films:	108 of 178	60.67

And two other major lists I have that are mostly dormant for now:

New York Times Top 1,000 Films list:	681 of 1,002	67.96
U.S. National Film Registry:	358 of 600	59.67

And just for the sake of completeness, here are the movie lists I finished before 2013:

IMDB Top 250 15 Year Consolidated and Weighted list:  535 of 535

Consolidated AFI Best Films list: 412 of 412

Note: the 2013 Year End IMDB Top 250 list has yielded 8 films that I have not yet seen, so I will be working on knocking those off as soon as I can.  The new 16 year Consolidated and Weighted IMDB Top 250 list now has 552 films on it.  It can be seen/downloaded here.

December Movie Status

I saw 33 new movies in the month of December, plus I re-watched 3 others.  Last month I mentioned I had found myself working on several different movie lists and as a consequence had some films that I simply could not locate.  Please see my prior post for big news on that.

Because I had only one film left to complete the Sight and Sound Critics’ Top 250 list, and because it was one of the movies I was able to finally obtain in December, I finished off this list by watching the nine hour documentary Tie Xi Qu: West of the Tracks (2003).

Where that leaves me is actively working on the following lists: Oscar Best Picture Nominees, the six 101 [Genre] Films You Must See Before You Die lists, They Shoot Pictures Don’t They, Empire’s lists of the Top 100 World Films and Top 500 Films, Roger Ebert’s Great Movies, and three different lists of the Top 100 British films of all time.  Many of these overlap, but I am showing films under only one list’s count in the details below.

All of these different lists can be seen by clicking on the names of them.  They link to my Lists from Chip posts on them.

Although not complete, I did pass 800 entries seen of the 1,000 on the current TSPDT list.  I’m also approaching 1,000 seen of the entire 1,395 entries that have ever been on the list, although passing this milestone could be further off.

Here are the 33 new movies and 3 old ones I saw in December.  Highlighted movies are ones to which I would give at least three stars out of five.  I will single out the four and five star films, as well as the worst films, in the paragraphs below the lists.

Oscar Nominees (2): The Love Parade (1929), Alibi (1929)

101 Genre (6): I Spit on Your Grave (1978), Attack of the Killer Tomatoes! (1978), Frankenhooker (1990), The 1,000 Eyes of Dr. Mabuse (1960), City Streets (1931), Battle of Britain (1969)

SSC (1): Tie Xi Qu: West of the Tracks (2003)

TSPDT (9): The Act of Seeing with One’s Own Eyes (1971), Empire (1964), Liebelei (1933), Under the Bridges (1946), Anatahan (1953), Minimata: The Victims and Their World (1971), Variete (1925), The Italian Straw Hat (1928), The Private Life of Sherlock Holmes (1970)

Ebert (1): Departures (2008)

British (0):

Empire World (0):

Empire Top 500 (0):

Other Movies (14): Wedlock House: An Intercourse (1959), DesistFilm (1954), The Heat (2013), The Big Empty (2003), The King’s Skeleton: Richard III Revealed (2013), Frozen (2013), The Guilt Trip (2012), The Hobbit: The Desolation of Smaug (2013), 30 for 30: Youngstown Boys (2013), Gravity (2013), Orgasm, Inc. (2009), Computer Chess (2013), Red Dawn (2012), Daydream Nation (2010)

Re-watches (3): It’s a Wonderful Life (1946), Jack Reacher (2012), POM Wonderful Presents: The Greatest Movie Ever Sold (2012)

TV Series (0): 

I had no five star movies in December, although one came close.  Here are the four star films I saw:

I avoided Best Foreign Language Film Oscar winner Departures (2008) for some time thinking it would be depressing.  Instead I found a film that is poignant in places, surprisingly humorous in others, and above all a work of great beauty.  I gave it 4.5 stars on Letterboxd and when I watch it again it might move to five stars.

The Hobbit: The Desolation of Smaug (2013) is definitely better than the first Hobbit film in that it is a lot less silly.  Radagast the Brown and his bunny-drawn sled are barely to be seen.  Book purists may be bothered because a majority of what appears onscreen in this film comes from the imagination of the screenwriters, not Tolkien.

Gravity (2013) definitely has a lot going for it, especially the visuals and Sandra Bullock’s performance.  I think it’s a lock for her to get another Oscar nomination.  There are some unfortunate errors during a couple critical moments of the film that harmed the impact of it for me, but if you do not know much about physics you won’t even notice them.

I had several one star films in December.  Empire (1964) probably takes the cake because it is nothing but an 8 hour 5 minute 13 second long static shot of the Empire State Building.  That’s from Warhol.  Brakhage brings us The Act of Seeing With One’s Own Eyes (1971), which is nothing but 30 minutes of real human autopsies.  Thanks TSPDT for this one-two punch. 

(Please see my next post for my look back at 2013 as a whole.  Last year I tried to combine both in a single post and it was too unwieldy.)

Big Update on My Hard to Find Films

After my November month-end status where I updated my list of hard to find movies to remove the half dozen that had been located, I was contacted by a very generous Santa Claus who wishes to remain anonymous.  This person literally helped me locate every single one of the films I had remaining that I had been unable to find – all 13 of them – as well as passed along the English subtitles for Amor de Perdicao that were on a website I was unable to access.  I can’t thank this person enough for what they did, but I will pay forward their generosity to others, and maybe, just maybe, you can help me help this person.

There is one film that this person has been unable to locate.  It is The Art of Vision by Stan Brakhage.  This four hour, ten minute long 1965 “film” is the same footage from the various pieces of Brakhage’s Dog Star Man, but joined in different combinations and sequences.  It is on the They Shoot Pictures Don’t They list.  Since it was impossible for me to find, and since it was the same footage I had already seen in Dog Star Man just presented differently, I checked it off as being done.  Technically, though, I did not see it and this Good Samaritan who helped me is not comfortable cutting the same corner I did for this entry.  If you know of any place to either see or obtain a copy of The Art of Vision I would be able to pay this person back at least in part for all their generosity to me, and by extension to all of you.

What’s Happening the Next Three Weeks

No movie review today.  I’m taking a short break for Christmas.  I will then have a set of three special posts the week after.  I will talk about the movies I had been looking for (all of which I now have), then I will do my December status, then I will do a 2013 in review post.  Last year I combined the December and Year End posts in one and it was too unwieldy.

The first week of 2014 I will finish my current set of posts on Gloria Grahame films I would recommend.  After that I may have some news.  We’ll see.

I’ll leave you with this clip from the most recent Saturday Night Live.  The audio isn’t very good because this is a user-uploaded clip, not an official video from SNL.  They uploaded pretty much ever other skit from that show, but not the only one that was worth watching.

And if you would like to see a little bit of Christmas humor, then you can click here and here.  And if you would like to see my Top Five Non-Traditional Christmas Movies then you can click here.

Movie – The Bad and the Beautiful (1952)

It didn’t take me much time into watching The Bad and the Beautiful to figure out why this film got greenlit.  It’s a tale of a once successful movie producer who was a towering presence both in the industry and in the lives of the four people who open this film.  Hollywood loves stories about itself and they’ve been making them ever since there was a Hollywood.  And I’m sure contemporary audiences had fun trying to figure out which real Hollywood figures were being fictionalized in the movie.  This film holds the record for winning the most Oscars – five – without being nominated for Best Picture.  Among those is Gloria Grahame’s win for Best Supporting Actress.

Movie – The Greatest Show on Earth (1952)

If you ask people to list the ten least deserving Best Picture winners chances are pretty good that The Greatest Show on Earth will be among them.  Sometimes a film suffers in comparison to another nominee from the same year (i.e. Ordinary People vs. Raging Bull in 1981), or sometimes the film just isn’t Best Picture caliber (i.e. A Beautiful Mind in 2002).  In the case of The Greatest Show on Earth, both of these apply.  Two of the other films nominated that year were High Noon (1952) and The Quiet Man (1952).  Not even receiving a Best Picture nomination was Singin’ in the Rain (1952).  And the overall tone of The Greatest Show on Earth doesn’t scream “Best Picture!”  The mistake that some people make, though, is equating “shouldn’t have won” with “bad movie.”  In the other examples I gave both Ordinary People and A Beautiful Mind are films worth seeing; they just weren’t “Best Pictures”.  The Greatest Show on Earth is the same.  It’s “big with a capital B” entertainment from the undisputed king of big entertainment in the early days of Hollywood: Cecil B. DeMille.

Movie – In a Lonely Place (1950)

Of all the films on the 1,001 Movies You Must See Before You Die list In a Lonely Place was one of the most pleasant surprises.  Even though it starred Humphrey Bogart during his biggest days of fame I literally had never even heard of it before.  I sat down to watch the film knowing nothing about it and not expecting much, and when it was through I felt that this was the second best performance of Bogart’s career. (The Treasure of the Sierra Madre being the best.)  It also cemented in my mind the leading lady status of Gloria Grahame, who co-stars with Bogie.  Each of them reaches beyond their expected screen personas – he usually played the gruff but good man and she usually played the sexy temptress.  And in an era of filmmaking where only one of two endings was possible for a movie like this I was very pleasantly surprised to see this film take a third path.

Movie – Crossfire (1947)

Crossfire was a nominee for Best Picture in 1948 and had four other nominations, including Director, Screenplay, and Best Supporting Actor and Actress.  Nowadays, though, if it gets remembered at all it is for being “that other anti-Semitism movie”.  You see, Gentlemen’s Agreement (1947) won the Best Picture that year and its central premise was WASP Gregory Peck pretending to be Jewish and finding out the subtle and not so subtle ways that people held that Jewishness against him.  Crossfire doesn’t focus on the character receiving the abuse; it actually uses that character as the driving force for a whodunit because it opens with him having been murdered.  This film is worth seeking out, though, because of some good performances in it.

Movie – It’s a Wonderful Life (1946)

The story of how It’s a Wonderful Life went from box office failure to Christmas classic is well known.  When I was younger, though, I didn’t know why it seemed to show up almost every day on one TV station or another during the month of December.  It wasn’t until years later that I learned about things like the public domain and film rights.  Since the studio had not renewed the rights on this film anyone with a TV transmitter could show it as often as they liked and not have to pay anything.  It was this constant presence in front of a large number of people that finally made it popular.  I actually never saw it until I was an adult, despite how prevalent it was.  When I did I was amused by the fact that it’s not really a Christmas movie at all; it’s just that the climax happens on Christmas Eve.  It was still a heartwarming film from the king of heartwarming films – Frank Capra.

Gloria Grahame Movies

“It wasn’t the way I looked at a man; it was the thought behind it.” – Gloria Grahame

If you do not watch many older films your first reaction is probably “Who’s Gloria Grahame?”  Well, she was sort of the Angelina Jolie of her day – the Angelina Jolie before she became a U.N. Goodwill Ambassador and started a mini-U.N. of her own.  For about ten years Jolie had this sexy, bad girl, don’t know what she’s going to do next, tongues always wagging about her, image.  That was Gloria Grahame from the mid 1940s to the mid 1950s.

Like Jolie, Grahame was known for her sex appeal onscreen, especially the way that she looked at men (hence the quote above.)  Despite some people wanting to disregard her because of her sexiness she got more challenging roles, culminating in a Best Supporting Actress Oscar for The Bad and the Beautiful (1952).  Jolie had a very similar arc, winning her Best Supporting Actress Oscar for Girl, Interrupted (1999).

And after Jolie, in her joy at winning the Oscar, kissed her brother quickly on the lips and then in her acceptance speech said she loved her brother, the gossip mill started with all kinds of stories about “incestuous love affairs.”  Jolie was able to put those behind her. Unfortunately, Grahame was not able to put her scandal behind her.

Her second marriage was to director Nicholas Ray – a man 12 years older than her.  That ended in divorce, then after a third marriage also ended in divorce, Grahame married Anthony Ray – Nicholas Ray’s son and her former stepson.  He was 14 years younger than her.  This started rumors that her marriage to Nicholas Ray had ended because he had caught her in bed with his then 14 year old son Anthony.  Grahame also had children with each of these husbands.  Those must have been some fun family reunions.

(In case you’re wondering, Grahame’s son with Nicholas Ray would have been both a half-brother to Grahame’s two sons with Anthony Ray, and simultaneously an uncle to them, too.  That son by Nicholas Ray would also have been both a half-brother to Anthony Ray and simultaneously his stepson.  Got all that?)

Despite any rumors about her offscreen life, her career onscreen had an impressive ten year arc, from a brief, but memorable, appearance in 1946’s It’s a Wonderful Life that got her noticed, through the big budget 1955 musical Oklahoma.  Her personal awards included an Oscar nomination for Crossfire (1947) and her win for The Bad and the Beautiful.  In my opinion she probably deserved nominations for her work in both In a Lonely Place (1950) and The Big Heat (1953).

Finally, I did a very popular post on celebrity look-alikes back in 2011.  It’s had more than four times the number of hits of any other post I have done.  If you’ve never seen it, you can find it here.  Anyway, while I was watching the 2006 film The Fall there were times that I would have sworn that actress Justine Waddell was a clone of Gloria Grahame.  Here are pictures of the two of them.

Gloria Grahame

Justine Waddell in The Fall

As I review the films I will come back and add the links for them here.

It's a Wonderful Life (1946)
Crossfire (1947)
In a Lonely Place (1950)
The Greatest Show on Earth (1952)
The Bad and the Beautiful (1952)
The Big Heat (1953)
Human Desire (1954)
Oklahoma! (1955)

On to the reviews…

Movie – Spy Kids (2001)

After making a string of popular, but violent films writer/director Robert Rodriguez decided he wanted to make a movie that his children would be able to watch.  The result was the intelligent, entertaining family film Spy Kids.  And I’m using the term ”family” in the best sense, not just as “only for kids”.  Adults, especially ones with kids of their own, can certainly identify with the parent characters in the movie.  The film is intelligent, too.  It doesn’t talk down to the adults or the kids; there’s no scatological humor to be found.  The result was that Rodriguez’s fans just killed this film on IMDB.  “Where’s the blood and guts?  Where’s the naked chicks?  Where’s the guns?  How dare my favorite director make a, a, a family film?!!!”  (The last sentence should be read in the high pitched tones of a child not getting their own way.)  Luckily there’s a far larger audience out there than just fans of Robert Rodriguez.  The movie was both a winner with critics (93% Fresh at Rotten Tomatoes) and with the general public, who made it a box office hit.

Movie – Iron Sky (2012)

Iron Sky is a very tongue in cheek kind of movie.  So much so, in fact, that a sizable number of people took it way too seriously and got offended by it.  When you’ve got a partially fan funded Finnish film, starring Germans and Americans, shot in English, and filmed mostly in Australia, you know right there it’s going to be at least a little different from the norm.  And if that isn’t enough of a clue, then the basic premise should have screamed “we’re having fun here”.  It’s about Moon Nazis who attack Earth.  I was in the right mood when I saw this.  I had a grin on my face for much of the film.

November Movie Status – And Update on Hard to Locate Films

SUMMARY:

I saw 48 new movies in the month of November, plus 2 TV show seasons, plus a re-watch of a Web series season.  Last month I mentioned I had found myself working on several different movie lists and as a consequence had some films that I simply could not locate.  I asked for help in finding them and was the beneficiary of the generosity of multiple people.  After being pointed towards a free trial of Hulu Plus last month I also examined a few other lists I have in order to see both what was hard to locate and what was available via Hulu Plus.

Where I stand right now is that I am actively working on the following lists: Oscar Best Picture Nominees, the six 101 [Genre] Films YouMust See Before You Die lists, They Shoot Pictures Don’t They, Empire’s lists of the Top 100 World Films and Top 500 Films, Roger Ebert’s Great Movies, and three different lists of the Top 100 British films of all time, which yield a total of 178 different entries.  Many of these overlap, but I am showing films under only one list’s count in the details below.

If you have a good memory you know that I was working on the Sight and Sound Critics’ Top 250 Films list last month, but have not mentioned it yet.  That is because I am in a state of limbo.  I have now watched every film on it, except one – Tie Xi Qu: West of the Tracks – which is one of the films that I cannot locate anywhere.  So I have not completed the SSC list, but I have gone as far as I can with it.  I will have to consider this list dormant until such time that that film ever becomes available.

All of these different lists can be seen by clicking on the names of them.  They link to my Lists from Chip posts on them.

THE FILMS I CAN’T FIND:

Last month I listed 19 films that I was unable to locate.  With the help of people who responded to that post, plus some extreme internet searches on my part, I was able to locate and see 7 of those.  There are two others that someone has said they will get to me when they have a chance.  I did have to add two new films from other lists, though, so the net total of movies that I am hoping someone can help me find is now 14.

Here are the films that I simply cannot track down, but need to in order to complete various lists.  Note – the only pay services I have looked at so far are Netflix and Hulu Plus.  I suppose if enough show up on another pay service it might be worthwhile to join to see them.  I’m hoping to keep costs as low as possible, though.  If you have a good source for them, but do not want to tell the world by leaving a comment here, then please email me at golf04330@yahoo.com with your suggestions.

Here are the films I was able to see, along with where you can get them, too.

The Red Badge of Courage (1951) – I finally found it.

http://ryushare.com/caoj4co92iav/The_Red_Badge_of_Courage_1951_DVDRip.rar

Out 1, noli me tangere (1971) – thanks to james1511 of The Cameraman’ Revenge

1: http://www.sendspace.com/file/cjvgjw
2: http://www.sendspace.com/file/eiex4j
3: http://www.sendspace.com/file/6umvjt
4: http://www.sendspace.com/file/g9qr1i
5: http://www.sendspace.com/file/x9hlrx
6: http://www.sendspace.com/file/t2615m
7: http://www.sendspace.com/file/3vcmr6
8: http://www.sendspace.com/file/2oxx4v

Out 1, Spectre (1974) – After further research on my part it turns out that this is not a follow-on to the 1971 TV minieries.  It is actually an attempt to release the 13 hour original as a four and a half hour theatrical movie.  Considering that I saw the entire thing, combined with the lack of availability of the theatrical cut, I am going to consider this entry as being completed, too.  Yes, there were a few comments I found that said the theatrical cut used different takes in some scenes, but honestly, after 13 hours of watching people do acting exercises like rolling around in a pile muttering gibberish, I don’t think a different take of it will be any more enlightening.

Kings of the Road aka Im Lauf der Zeit (1976) – I finally found it.

http://www.4shared.com/video/yelKAreo/imlaufderzeit_wimwenders1976dv.html

Flowers of Shanghai aka Hai shang hua (1998) – A post for it appeared about a week after I did last month’s status.  By the way, if you are looking for foreign films, especially Asian ones, and most especially South Korean ones, then this site may be a godsend for you.

http://moviesoftheworld.com/flowers-of-shanghai-1998/

Alice in the Cities aka Alice in den Stadten (1974) – thanks to thevoid99 of Surrender to the Void and Steve Honeywell of 1001plus.  The first pointed out that it was going to be shown on TCM, an American cable channel dedicated to classic films.  I actually learned from this that the TCM website has a bug in it when you are looking to see if a film is in the upcoming schedule.  Instead of checking TCM’s site directly, choose the “TCMdb” option, then in the resulting list click on the film’s name, then on this page it will show you if it is coming up.  The second pointed me to Hulu Plus for another film and I discovered this one was also there.  If you have never signed up for this service you get a one week free trial.  I discovered how to make it a two week free trial by going as far as putting in my contact information, but not my credit card, then canceling out.  They then sent me an email offering to double the time of the free trial.  I accepted it.

Carnival in Flanders aka La kermesse heroique (1935) – thanks to Steve Honeywell of 1001plus.  He pointed out that this was available via Hulu Plus.  If you have never signed up for this service you get a one week free trial.  I discovered how to make it a two week free trial by going as far as putting in my contact information, but not my credit card, then canceling out.  They then sent me an email offering to double the time of the free trial.  I accepted it.

The ones I am searching for:

101 Genre Films:

City Streets (1931) – a gangster film with Gary Cooper, directed by Rouben Mamoulian

The 1,000 Eyes of Dr. Mabuse (1960) – a gangster film directed by Fritz Lang.  I have had someone say they will make this available when they get a chance.

Sight & Sound Critics Top 250: (This is the only film I have left to complete the list.)

Tie Xi Qu: West of the Tracks (2003) – a nine hour documentary on the falling industry in a region of China from director Bing Wang.

They Shoot Pictures Don’t They:

Empire (1964) – Andy Warhol’s experiment to see if he could do anything and still get film critics to fawn over him.  It worked.  This is an 8 hour static shot of the Empire State Building from dusk to 3:00 AM.  I suppose I could just stare at a picture of the Empire State Building for 8 hours and call it good.  J

Anatahan aka Ana-ta-han (1953) – a Japanese film from Josef von Sternberg

Minamata aka Minamata: The Victims and Their World aka Minamata: Kanja-san to sono sekai (1971) – a Japanese documentary on industrial chemical poisoning.  I swear that this exists only on the TSPDT list and on IMDB and nowhere else on the internet.  Even IMDB has little information on it.

Liebelei (1933) – an early Max Ophuls film

Doomed Love aka Ill-Fated Love aka Amor de perdicao (1979) – a six episode Portuguese TV mini-series from Manoel de Oliveira retelling Romeo and Juliet.  Believe it or not, I tracked down the video.  Unfortunately it has Portuguese audio and hardcoded Italian subtitles only.  I’ve searched and English subtitles do not exist, but I found one comment that said that someone had done a rough translation of the Italian ones embedded in the video and had posted them at karagarga.net.  Unfortunately, that site appears to require that you be invited by someone else to even view the forums.  I don’t need an invite, but if you have access to it, could you please save the English subtitles to someplace where they are available?  Or you could email them to me since the files should be small.  Thanks to an anonymous responder last month I now know that there is also a theatrical version that runs about 30 minutes less than this.  I would take either version and be very happy.

Dust in the Wind aka Lian lian feng chen (1987) – a period film from director Hsiao-hsien Hou. 

Under the Bridges aka Unter den Brucken (1946) – a film from Helmut Kautner

Variety aka Variete aka Jealousy (1925) – a film from E.A. Dupont

The Italian Straw Hat aka The Horse Ate the Hat aka Un chapeau de paille d’Italie (1928) – a film from Rene Clair.  I have had someone say they will make this available when they get a chance.

Now, the two new ones:

Roger Ebert’s Great Films:

A Woman’s Tale (1991) – a film from Paul Cox

Top British Films:

Gallivant (1997) – a sort-of documentary/travelogue where director Andrew Kotting drives around England with his 90 year old grandmother and 9 year old daughter.

Any help you can provide in tracking these down will be most appreciated.

THE FILMS I SAW IN NOVEMBER:

Here are the 48 new movies and TV show seasons I saw in November.  Highlighted movies are ones to which I would give at least three stars out of five.  I will single out the four and five star films, as well as the worst films, in the paragraphs below the lists.

Oscar Nominees (5): David Copperfield (1935), The Informer (1935), Les Miserables (1935), One Hour With You (1932), Crossfire (1947)

101 Genre (12): The Innocents (1961), Grey Gardens (1975), Lacombe, Lucien (1974), High Tension (2003), Sonatine (1993), The Dinner Game (1998), The Red Badge of Courage (1951), Phantasm (1979), Reefer Madness (1936), Foxy Brown (1974), The Musketeers of Pig Alley (1912), When Worlds Collide (1951)

SSC (6): Kings of the Road (1976), A Canterbury Tale (1944), Melancholia (2011), Flowers of Shanghai (1998), Colossal Youth (2006), Out 1: noli me tangere (1971)

TSPDT (12): Alice in the Cities (1974), Carnival in Flanders (1935), Princess Yang Kwei-fei (1955), The Tenant (1976), Spies (1928), Sauve Qui Peut (la vie) (1980), Purple Noon (1960), Il Grido (1957), Il Posto (1961), Out 1: Spectre (1974), In a Year with 13 Moons (1978), Alexander Nevsky (1938)

Ebert (2): The Fall of the House of Usher (1928), Souls for Sale (1923)

Other Movies (11): Thor: The Dark World (2013), Micmacs (2009), Terribly Happy (2008), The Croods (2013), White House Down (2013), The Way Way Back (2013), The To Do List (2013), The Internship (2013), Red 2 (2013), R.I.P.D. (2013), People Will Talk (1951)

Re-watches (0):

TV Series (2):  How I Met Your Mother Season 8, Eureka Season 5, Web series The Guild Season 6 (re-watch)

I had no five star movies in November.  Here are the four star films I saw:

Les Miserables (1935) is superior to the recent musical version in two main ways.  First, Charles Laughton is fantastic as Inspector Javert.  He brings some humanity to what often becomes a two dimensional role.  Second, the ridiculous innkeepers that were so out of place in the musical barely appear in this version.

One Hour with You (1932) is a lot of pre-Code naughty fun from director Ernst Lubitsch and stars Maurice Chevalier and Jeanette MacDonald.  The two play a happily married couple who are tempted by others.  I loved the very suggestive song Three Times a Day that was sung by Chevalier and Genevieve Tobin, whose character is trying to seduce him away from his wife.

Souls for Sale (1923) might be the earliest parody of Hollywood that I have seen.  A newly married woman thinks twice about her husband and leaves him.  (Good instincts since he’s going to kill her for her money.)  She ends up in the desert and comes upon a sheik on a camel.  It turns out he’s just an actor, who is also a great seducer of women. (The resemblance to Rudolph Valentino is completely intended.)  She ends up becoming a film star.  There are numerous cameos from big names, like Charlie Chaplin, actually making films of their own.

Micmacs (2009) is another piece of strange, happy weirdness from director Jean-Pierre Jeunet.  A man whose father was killed by a land mine, and who has himself been the victim of a drive by shooting, seeks revenge against the two arms merchants who made the weapons.  He gets helps from a bunch of people living on the fringes of society.  By the way, the title does not refer to the Indian tribe from Maine and Atlantic Canada.  Apparently “micmac” is a slang term for a prankster in French.

I recently reviewed Thor: The Dark World (2013).  It is a big step up from the first film and a worthy successor to The Avengers (2012).  You can read that review here.

I had two one star films in November.  Reefer Madness (1936) is a “cult classic” that I finally got around to seeing.  I’m guessing that the people who are entertained by it are probably smoking reefer while they are watching it.  It’s not a “so bad it’s good” kind of film; it’s just plain bad.  Colossal Youth (2006) is an extremely slow and boring movie where all the characters talk AT each other in an artificial manner instead of talking TO each other.  Pretty much everyone in the film is a non-actor, too.  Want to watch a 15 minute long, unbroken shot of a woman complaining about the birth of her child, all while the other person in the scene looks very bored, then screws up his line towards the end, calling the character by the wrong name?  Then this is the movie for you.

Movie – Dr. Jekyll and Mr. Hyde (1931)

When most people think of “monster movies” they have images of fun but dumb movies, standard characters, perhaps cheesy special effects, bad accents, etc.  Academy Award level acting probably is not something most people expect when they sit down to watch one.  (Yes, the 2003 film Monster earned Charlize Theron a Best Actress Oscar, but the title refers to her character’s actions, not a physical monster.)  Well, in the perhaps unique case of the 1931 film Dr. Jekyll and Mr. Hyde, based on the Robert Louis Stevenson 1886 novel The Strange Case of Dr. Jekyll and Mr. Hyde, lead actor Fredric March won the Best Actor Oscar for his performance in both title roles.  Off the top of my head I can’t think of any other Frankenstein, Dracula, Wolfman, Invisible Man, Jekyll/Hyde, Zombie, Godzilla, etc. film that had someone win an Oscar for their acting in it.

Movie – Spider-Man 2 (2004)

When Spider-Man came out in 2002 it was wildly successful.  I thought it was very entertaining and watched it more than once.  The questions began almost immediately – would the inevitable sequel be able to keep up, or would it disappoint?  As it turns out, the sequel didn’t just match the first one; it surpassed it.  It had all the right elements in it, some great acting in key scenes, and a very satisfying ending.  In fact, until The Avengers was released in 2012 I considered Spider-Man 2 to be the best superhero movie that had been made.

Note: this review will contain spoilers for Spider-Man (2002).

Movie – The Invisible Man (1933)

James Whale is probably best known for directing Frankenstein (1931) and The Bride of Frankenstein (1935), but he also brought to the screen another of the classic horror characters – The Invisible Man.  Unlike the two Frankenstein movies, this 1933 adaptation was much more faithful to H.G. Wells’ 1897 short novel.  The movie not only pioneered some special effects techniques, but it also launched the film career of Claude Rains who “appeared” as the title character.  The film was a sensation and has spawned over a dozen versions of the concept since it was released, including comedic, horrific, and even erotic ones.

Movie – Burke and Hare (2010)

Burke and Hare is a dark comedy from director John Landis (Animal House, An American Werewolf in London).  It was his first feature film in more than ten years.  The film uses the real life case of William Burke and William Hare and how they “procured” cadavers for Dr. Robert Knox, a professor at Edinburgh Medical School in Scotland in 1828.  There had been a 1970s movie on the subject, but I had never seen it.  I had also never heard of this case, so the film was entirely new to me.  While it did play some with motivations, my understanding is the principal facts are generally accurate in this.  I like twisted humor, so this movie was right up my alley.  The subject and tone of Burke and Hare also fits in well with its other Ealing Studios counterparts such as Kind Hearts and Coronets (1949) and The Ladykillers (1955).

Movie – The Cabinet of Dr. Caligari (1920)

Years ago I was in a store and came across The Cabinet of Dr. Caligari on a bargain DVD.  It cost me next to nothing so I bought it even though I had not seen the movie and knew nothing about it other than it was old and I recognized the title.  Predictably, the DVD transfer wasn’t in very good shape, but I was still able to watch it. And what I saw was quite a surprise to me.  I was not expecting much and instead I got what may very well be the oldest film there is with a surprise twist/reveal in it.  I did not see it coming at all.  Don’t worry. I will not be spoiling it in this review.

Movie – The Rocky Horror Picture Show (1975)

My first experience with The Rocky Horror Picture Show was not a positive one.  When I was in college VHS tapes of movies were exploding in popularity, but the people who owned the rights to this film refused to release it in order to keep people going to the theaters that were showing the midnight movies.  Somehow my college got the film and showed it on campus one evening.  I went in knowing NOTHING about either the film or the audience participation.  When it started and people were yelling “lips!” I thought it was a little funny.  I soon caught on that the people who did know the movie had all these rituals.  Unfortunately, I knew none of them in order to play along, so I just sat there kind of irritated because I couldn’t hear any of the dialogue or the songs.

Movie and Book – Frankenstein (1931)

Both the 1931 Frankenstein film and the book on which it was based – Mary Shelley’s 1818 novel Frankenstein: or, The Modern Prometheus – were massively influential in their respective media and in pop culture.  The amazing thing is that the two bear little resemblance to each other.  In the film the monster is a creature of low intelligence whose physical appearance is markedly different from humans.  In the novel the creature becomes an intelligent, albeit hideously ugly, man whose main physical difference is his great size.  It’s interesting to note that the common mistake of referring to the creature himself as “Frankenstein” pre-dates 1931 and had already started from the popularity of the novel.  It was the film (and the follow-up 1935’s The Bride of Frankenstein) that cemented that misconception in people’s minds.  Both the novel and the film are worth checking out.