I saw the film The One I Love just before finalizing my Top
10 Films of 2014 list. I’m glad I did
because this movie ended up making it onto it.
It’s another small independent film starring Mark Duplass. In recent years I’ve come to keep an eye out
for his movies that fall into this demographic because he seems to be able to
pick films that are better than average (i.e. 2012’s Safety Not Guaranteed, 2011’s
Your Sister’s Sister.) In this case the
Netflix Instant description didn’t exactly sound that interesting, but I gave
it a try anyway just on faith. I was
glad I did. This is a film that went in
completely unexpected directions.
And herein lies the problem I have with writing this review:
the more I describe even the basics of the plot, the more I would spoil what
makes it so great. I’m not going to do
that since this is definitely a situation where the less you know, the better
it is. I will write as much as I feel I
can regarding this, but no more. I’m
afraid you may have to take it on faith that you might also really like this
film.
First, here was the Netflix Instant blurb that I mentioned
didn’t sound that exciting: “Confronted with the potential end of their
marriage, Ethan and Sophie take off for a weekend together, hoping to negotiate
their future.” I can give you a little
more than that.
Ethan (Mark Duplass) and Sophie (Elizabeth Moss) are seeing
a marriage counselor. The sticking point
is that she believes he cheated on her, and she feels that she simply can’t
trust him any longer. The counselor (Ted
Danson) realizes he has reached an impasse with them and suggests something he
only rarely does, but that has always worked in the past. He owns a rural vacation home in an idyllic
setting. In the past he has sent similar
couples to it for a weekend and they have always managed to rekindle their
marriages. Although not that
enthusiastic, Ethan and Elizabeth both agree to try it. We get the sense that each may have only done
so because they didn’t want the other to be able to point a finger at them and
say they weren’t trying to save the marriage.
When they arrive they do have to admit that it’s
beautiful. In addition to the house
itself, there is also a guest cottage on the property. They find a journal with written testaments
from other couples who have been there and they are all quite positive. In spite of themselves Ethan and Sophie seem
to be thawing a little towards each other.
And here is where I cannot go any further on the plot. All I will say is that I was very pleasantly
surprised with where it went and I never would have predicted that
direction. I will tell you that after
you have seen this movie go back and look very closely at the movie poster image
above. (The image, not the blurb on it - this definitely isn't a romantic comedy.)
The film was directed by Charlie McDowell. He is the son of Malcolm McDowell and Mary
Steenburgen (who is now married to Ted Danson).
That’s why Danson appears in the film in a small role. In addition, Steenburgen has a voice
cameo. Finally, the property with the house
and guest cottage on it is actually Danson’s and Steenburgen’s own home, so
that helped keep the budget down, too.
Both Duplass and Moss do good jobs with their roles (and the
plot makes their jobs even more difficult as you’ll come to understand if you
watch it.) The entire movie mostly
consists of just these two performers, so they have to carry the whole
thing. I read afterwards that much of
the dialogue was adlibbed, which surprised me.
Usually you can tell when this happens because the performers have
slight pauses between their lines. I
didn’t really notice anything like that in this movie.
In case the name Elizabeth Moss is not familiar to you, she
has been on the TV show Mad Men for several years in the role of Peggy
Olson. Smoking fetishists who watch Mad
Men will not be disappointed by this film.
It establishes its “Indie cred” early on with two completely pointless
scenes of Moss smoking by herself.
Nothing happens in either scene, so it’s as if the movie itself is
taking a couple of smoke breaks for fans of that. The strange thing is, after these two early
scenes, she is never shown smoking again for the rest of the 90 minute running
time. They might as well have just shown
her sniffing her armpits for a minute and it would have contributed just as much
to the overall movie. This is a very
minor quibble from me, and as I mentioned, there are some people who will find
it to be a real positive.
I do admit to being surprised by how many people have posted
on IMDB’s message board for this film with questions on the ending – both
people who didn’t understand it, and people who completely misunderstood
it. Please don’t let this deter you;
it’s quite easy to follow what’s going on if you set down your phone and actually
watch the movie. And by no means should you go out to this
movie’s boards prior to seeing it since they will spoil everything about it. Don’t even watch the trailer for the
movie. Seriously. I’ll say it again: the less you know going
into this one, the better.
Unless my rather mysterious descriptions of this movie have
turned you off then I highly recommend this film.
Chip’s Rating: 4 out
of 5 stars
Nice review here, and I appreciate that you kept the details at a minimum, which I certainly will here as well. I agree, this was a very pleasant surprise. I wasn't expecting much, but it really impressed me. Had no idea the director was Malcolm McDowell and Mary Steenburgen's son. Great tidbit there. Really happy you enjoyed this film as much as I did.
ReplyDeleteThanks for the kind words, and thanks also for not spoiling anything about what makes this a little gem of a movie.
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