Actually, I did have one expectation and that was to be
underwhelmed by Laurence Olivier’s performance as Heathcliff. When I was young I had heard his name and his
reputation for being one of the greatest actors of all time. I had only seen him as an old man in a few of
his latter films, though, and I didn’t get what all those people were talking
about. Wuthering Heights
was the first time I saw him as a man in his prime, full of energy, and he was
a commanding screen presence in it. I
finally got it.
The film opens with a traveler ending up at a desolate old
house in the middle of a terrible storm.
He seeks shelter there and meets the house’s older owner,
Heathcliff. While in his room the
traveler sees a woman outside the house calling for Heathcliff. He tells the owner what he saw, Heathcliff
flies into a rage, and he then runs outside into the storm calling out “Cathy!”
The housekeeper explains to the traveler that he had seen
the ghost of Cathy Earnshaw (Merle Oberon), Heathcliff’s long dead love. She proceeds to tell their story as the movie
flashes back to when they were children and first met.
Cathy’s father finds the young Heathcliff as a boy on the
streets, and not unlike a stray dog, he brings him home with him. His two children, Cathy and her brother
Hindley, are not happy to have this ragged urchin among them. Cathy soon gets over it, though, and she and
Heathcliff become good friends.
The movie shifts to all the characters as adults. Heathcliff and Cathy have fallen in
love. Hindley still hates him, and when
the father dies Hindley takes over the estate and treats Heathcliff about as
poorly as he can.
Heathcliff and Cathy sneak into a party their rich neighbors
are having, but Cathy unfortunately gets injured. She stays with the neighbors, the Hintons,
while she recuperates. While there she
gets to know their son Edgar (David Niven).
He falls in love with her and proposes.
When Cathy returns to her home she talks with the
housekeeper about all of this. She
reminds Cathy about Heathcliff and their love, but Cathy callously tosses it
aside, choosing money over love. She
goes on to denigrate Heathcliff for his lack of social standing and
graces. Of course, Heathcliff overhears
this. He soon disappears.
Cathy moves into a loveless marriage with Edgar and Hindley
squanders the family fortune on alcohol.
Years after disappearing Heathcliff suddenly reappears, elegantly
dressed and with all the manners and social graces of someone who was born to
it. He has obviously gained a fortune
somehow. He just as obviously has an
agenda that has caused him to return. Oh
yes he does.
Cathy is thrown by the now much more acceptable (in her
eyes) Heathcliff, but she is married and can’t do anything about it. And Heathcliff very deliberately starts to
court Edgar’s innocent younger sister Isabella (Geraldine Fitzgerald) right in
front of her. Let’s just say that things
start to go downhill from there. I find
it interesting that the original movie poster almost makes Olivier look like
someone from a monster movie out to harm the innocent-appearing Oberon.
Both Heathcliff and Cathy are flawed characters. She commits the woman’s sin of choosing
social standing and money over love, while he commits the man’s sin of destroying
what he cares about in order to gain revenge for his damaged ego.
As I mentioned at the top Olivier is very powerful as
Heathcliff, especially when he comes back and is looking for nothing less than
to bring down everyone who ever wronged him. The film actually started out as a vehicle for
Oberon, but of the two he is the one who received an Oscar nomination.
In fact, Wuthering Heights received a total of eight
nominations, including Best Picture, Best Director (for William Wyler), Best
Actor, Best Supporting Actress (for Fitzgerald), and Best Screenplay. In a year filled with great movies, though,
it only won once – for Best Black and White Cinematography. The man who won was Gregg Toland who would go
on to revolutionize films a couple years later with his deep focus techniques
in Citizen Kane.
Olivier and Oberon had great chemistry, both as lovers and
as antagonists. Reportedly the two hated
each other while the film was being made, so that probably added juice to their
scenes when their characters are estranged.
Olivier apparently wanted them to cast his then lover Vivien Leigh, but
producer Samuel Goldwyn refused. Leigh
then went on to work on another 1939 movie – Gone with the Wind.
One last thing: those who are old enough to remember the
1989 song No Myth from one hit wonder Michael Penn (older brother of actor Sean
Penn, by the way) may have puzzled over a lyric in the chorus. It goes: “What if I were Romeo in black
jeans? What if I was Heathcliff? It’s no myth.
She’s just looking for someone to dance with.” Romeo is famous for his tragic romance. Everybody knows who he was. Heathcliff was probably a lot less well known
to the teenagers who were listening to this pop song at the end of the 80s. It’s a reference to the character from Wuthering Heights and the towering love and hate
he had for Cathy.
The 1939 version of Wuthering Heights
is just one of many adaptations, but it is the one I would choose to point
people towards to experience the story.
It features Laurence Olivier at the height of his powers, as well as great
chemistry between the two leads. I
highly recommend this film.
Chip’s Rating: 4 out of 5 stars
I don't doubt this is the best version of the story, but it's a story I don't like much. This is, like a number of other films I've come across, an excellently filmed, faithful version of a story that leaves me cold.
ReplyDeleteI stand by my review saying that the best thing in this film is the fact that Heathcliffe is a stone-cold pimp.
I love that description of Heathcliff. Thanks for reminding me of it.
DeleteI get not liking the story. While I did like it I don't get why so many women see Heathcliff as an impossibly romantic character. He's hardly the kind of man that would make for a good companion for the rest of a woman's life.
I am actually with Steve here. I disliked all the characters, and found some satisfaction in seeing them destroy each other. Part of me understand why many people are suckers for impossible love, but when the lovers are as hopelessly dysfunctional as here it just leaves me cold. My favourite impossible love movie would be Brief Encounter, which operates within the same British (post)victorian moral codex, but manages to make me like and understand the characters and why this just will not work out.
ReplyDeleteThe best thing about Wuthering Height is the cinematography. It is a beautifully made movie in a year with many remarkable films.
Oh I get where you're coming from. I hated Scarlett O'Hara so much it made me dislike large parts of Gone with the Wind. I'll expand on that when I review it.
DeleteHi Chip! I feel like I haven't visited your site in a while! I hope you're doing well. This is a great review. You know I've never really quite understood 'Wuthering Heights,' but you explained it well. Happy Thanksgiving!
ReplyDeleteI don't get to many sites myself these days, and I only post once or twice a week. I'm working again so that takes up most of my days.
DeleteThanks for stopping by. Every now and then I think about the places I used to visit and make a mental note to revisit them when I get a chance. I never seem to get that chance, though. I'll probably have to deliberately make the time.
Happy Thanksgiving to you, too.
Olivier gives a torchard performance on this role and Oberon is completely underrated in this movie!
ReplyDelete