The film The Crying Game actually represents something
unique in all my movie-watching experiences.
(No, it’s not the twist, for those who have already seen it.) It’s that I specifically went to see this
movie in the theater before it got spoiled for me. It may be hard nowadays to imagine a time
when every single film wasn’t already spoiled well in advance with social media
reporting casting and storylines well before the movie is even released, but this
was the way it was in 1992. You could
actually go see a movie not knowing anything more about it than what you saw in
the trailer, if you even saw that.
The Crying Game was a little different in that it was making
news for the fact that it had a fantastic twist in it that supposedly you
wouldn’t see coming. I decided I’d rent
it right away when it came out on VHS tape, but then it went and got nominated
for six Oscars, including Best Picture.
(It would eventually win for Best Original Screenplay.) I knew there was little chance of it having
that kind of attention being paid to it by the press and it not getting spoiled
for me. I decided on a pre-emptive
strike: I’d go see it in the theater. To
this day that is still the only time where the primary reason I bought a movie
ticket was to see a movie I knew would be spoiled for me if I didn’t see it as
soon as possible. And you know
what? It was well worth it.
Despite the fact that I often did figure out the twists in
movies I knew had them (i.e. The Usual Suspects, The Sixth Sense), I was
absolutely and completely fooled by this film.
In fact, I correctly saw a smaller twist coming and was disappointed at
first thinking that was supposed to be the big reveal, then wham! there was the
real one.
The Crying Game opens with a kidnapping plot. Fergus (Stephen Rea) is a semi-loser who is a
low-level operative for the IRA. His
bosses Jude (Miranda Richardson) and Maguire (Adrian Dunbar) kidnap British
soldier Jody (Forrest Whitaker). They
want to exchange him for an IRA terrorist the British have captured. While waiting for this to play out, Fergus
and Jody start to bond. Jody tells him
about his girlfriend Dil back in London
in an attempt to weaken Fergus’ resolve to kill him if it comes to that. It works, but things still go to hell and
everyone except Fergus apparently ends up dead.
(I say “apparently” because this was the smaller twist I felt was really
obvious and was initially disappointed by.)
Fergus makes his way to London and out of a morbid sense of curiosity
goes to the bar Jody said he and Dil used to frequent. The bartender (Jim Broadbent) points Dil
(Jaye Davidson) out to Fergus. He sees
Dil being almost accosted by a man and comes to her defense. Despite their differences in nationality and
race a bond starts to develop between Fergus and Dil, at first out of his guilt
about Jody, then it becomes more real as he spends more time with her. There’s one problem: Dil’s got a secret she
hasn’t revealed to Fergus yet.
This is the big twist and I won’t be spoiling it here. Let’s just say it causes Fergus a great deal
of emotional pain and makes him reevaluate how he feels about her. And if this isn’t enough trouble for Fergus,
Jude and Maguire reappear and force him into taking on what will likely be a
suicide mission. If he doesn’t, they
will hurt Dil. A film that started out a
little tense, then downshifted into relationship mode, now becomes quite tense
as both storylines merge.
Stephen Rea does a great job in the lead role. His character is worn down by life and can’t
seem to catch a break. Dil at first
seems to be a rare bright spot for him, but her secret might doom even that –
and that’s assuming they manage to somehow survive the return of the IRA
terrorists. Both of them were nominated
for Oscars for their performances. Over
the years Rea has morphed into a character actor and often appears in
writer/director Neil Jordan’s films.
Davidson got a major role in Stargate (1994), but then never really
worked again.
The supporting cast is also quite good, which you’d expect
with four future Oscar nominations and two future wins among them. And this is also the film that really put
Neil Jordan on the map.
This film was initially a failure in the U.K. and Ireland , probably because of the
political overtones. It did not become
popular until it was released in the U.S. , where it became a hit. After the Oscars it was re-released in the U.K. and
finally became a hit there, too. Critics
loved it and it’s one of the few films that have a perfect 100% Fresh rating at
Rotten Tomatoes.
I actually can’t remember the audience’s reaction to the
reveal of the twist. It was so quick I
wasn’t sure at first if I had seen right and I think some of the others in the
audience might have missed it entirely.
I do remember chuckling at how the song playing over the end credits (Tammy
Wynette’s country music classic Stand By Your Man, performed by Lyle Lovett)
was so perfectly appropriate, in a really twisted way. As I was walking out a teenage girl in the
couple behind me just said in a disapproving voice “That’s sick!” Her boyfriend appeared to be amused by her
reaction.
The Crying Game entered pop culture history. The twist has become relatively well known,
so much so that references to this film have been made in many other
places. I remember seeing one as soon
after as Ace Ventura: Pet Detective in 1994.
If you have somehow managed to make it to this point in your life
without knowing the twist then you owe it to yourself to watch this movie as
soon as possible. Unless you don’t want
to take a chance on being unpleasantly surprised (like the teenage girl I
mentioned) then I highly recommend this film.
Chip’s Rating: 4 out of 5 stars
Goodness! Do you remember how Siskel and Ebert got into a fight over the twist?
ReplyDeleteI know I was surprised and more than shocked by the big "secret". As for the reason you went to see this in the theater, I must say that I have become extremely aggravated by everyone talking about a film's big twist. I spend more time trying to figure them out than enjoying watching the film.
I didn't see it (it was either their Top 10 of the year or Oscar Predictions show), but Siskel went right ahead and told the twist as a way to justify why he liked it. Apparently he was too insecure in his choice to leave it out of his explanation. And Ebert called him on it, big time. I heard about it, though, and this may have been one of the things that led me to conclude that I needed to see the film sooner rather than later or it would be spoiled for me.
DeleteI tend to predict twists, even when I don't know the film has one. I've been told on more than one occassion that I'm "not normal" that way. I don't really consciously try to figure them out, but I'm good at pattern recognition and I think my subconscious does the work.
An exception is The Sixth Sense where I paused the movie about an hour in to get a snack and while waiting I remembered there was supposed to be a twist and gave it some thought. It was about 10 minutes after the famous "I see dead people" line from the film and it came to me in a flash. I then was very impressed by how the film had disguised it up to that point.
I don't recall the end credits song Stand By Your Man. I mainly remember the film for the twist and the song "The Crying Game" by Boy George.
ReplyDeleteThe title song was big on the radio for a while after the film came out. In fact, it was the use of that song as a joke in Ace Ventura that I referred to as the pop culture reference in my post. I think it was also the last time Boy George was heard from on the radio here.
DeleteI knew the twist before I went into this, and it didn't matter. I think it's the sign of a good or even great movie that knowing the twist doesn't ruin it. This was not spoiled a bit by encountering the spoiler before seeing it, and that's pretty noteworthy. Of course it helps that this moment comes in the middle rather than the end.
ReplyDeleteI think you're right on both points - the sign of a good movie and that the twist comes in the middle instead of the entire ending depending on the reveal.
DeleteI will second Steve on that. Knowing the twist up front did nothing to ruin the film for me. In fact I went into this film thinking it was a gimmick film (using the twist as its gimmick), but nothing could be farther from the truth and that was the nice surprise. There is so much more to the movie. What it really seemed to say is that there is a lot more to people than their surface.
ReplyDeleteI'm glad you enjoyed it, too. You're right about the surface judgment.
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