Tuesday, March 18, 2014

Movie – Sullivan’s Travels (1941)

Sullivan’s Travels was written and directed by Preston Sturges, a man known for his comedy (The Lady Eve, The Miracle of Morgan’s Creek.)  In the case of Sullivan’s Travels, the comedy it contains is more satire than slapstick.  A Hollywood director known for his light comedies wants to make a “real” film about the downtrodden in order to be socially relevant.  He learns a lot more about real life than he ever bargained for.  Sullivan’s Travels turns serious in the last act when he gets into big trouble.  The combination of the satire and drama worked for me.

John L. Sullivan (Joel McCrea) is a popular director of comedies without much more than fluff in them.  He gets fed up and decides he wants to make a movie with some substance to it.  He decides he’s perfect to make a film about the people who suffer every day just trying to live their lives – the ones who do not know where their next meal is coming from.  Both Sullivan’s butler and his valet point out to him that he is the last person who would know what it was like to be living on the edge; he’s got a butler and valet for Pete’s sake.  He’s not only rich now, but he came from a well-to-do family.  He’s always had someone to take care of him. 

In some ways this film parallels the prior film I reviewed – The Big Parade (1925).  In that one a rich young man who knows nothing about real life decides to head off to war to have an adventure.  He soon learns that war is, to use the popular quote, “hell”.

Sullivan is determined he’s going to make his film O Brother, Where Art Thou? – (Yes, the Coen brothers got the title of their 2000 film from here.)  He heads out on the road, but with his people following him in case he needs any little thing.  After several humorously aborted attempts he finally realizes he’s going about it all wrong.

He’s met a struggling actress (Veronica Lake) during one of these failures and she helped him out before she found out he was rich.  He decides he really needs to separate from his handlers and takes off for a few weeks with the actress.  She disguises herself as a boy, they ride trains like hobos, and he finally starts to see how the other half lives.

Things turn serious, though, when he’s robbed and knocked unconscious while separated from the actress.  He wakes up with no memory of who he is and attacks a man who he thinks is the one who attacked him.  He ends up being sentenced to six years of hard labor.  And his people are not looking for him because the man who robbed him of everything, including his clothes, was killed and the body was unrecognizable.  Sullivan’s people recognize the clothes, though, and assume he is dead.  No one is coming to Sullivan’s rescue.

I had not seen any other Preston Sturges’ films before this one, so I had no preconceptions going into it.  I was really caught up in the final act, whereas I’ve read one review from a person who assumed going in that it was just going to be another comedy and figured nothing bad was really going to happen to any of the characters.

The only thing that didn’t work for me on this film is that I didn’t find Veronica Lake remotely believable as a boy.  It’s one of those things, like Clark Kent’s glasses being enough of a disguise, that you just have to go with.

And Lake didn’t do herself any favors on this film.  She got the part, but didn’t tell Sturges she was pregnant.  When filming started and she showed up she was already at least six months along.  They had to film around it.  She ended up giving birth less than a month after filming wrapped.  Reportedly, Sturges was furious.  He famously used many folks in several of his films (watch for some in this one), but he never worked with Lake again.

In another parallel, the Coens included some scenes reminiscent of Sullivan’s Travels in their Depression-era Odysseus tale O Brother Where Art Thou, including three men trying to get on a train with some hobos, and having to live hand to mouth in order to survive.

Sullivan’s Travels is certainly not a must see, but it’s got some fun moments in it and some drama.  You get to see Veronica Lake as she was becoming a star and you also get to watch an early satire of Hollywood.  If these things sound interesting then I recommend you give it a try.

Chip’s Rating: 3 out of 5 stars

8 comments:

  1. The most memorable element from this film, beside Lake's pretty face, are the titles of Sullivan's films. With those titles they must have been fantastic. Lame, but fantastic.

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    1. I think they had fun with hinting at the kinds of movies he made.

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  2. This one didn't hold up for me on a rewatch. I liked it a lot the first time I saw it, and not nearly as much the second time.

    In the movie's defense, though, Joel McCrea mentions specifically how little Veronica Lake looks like a boy, so it's not like the film makes the assumption that it works.

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    1. I've only seen it the once, but I've thought about watching it again. Thanks for the heads up.

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  3. Has always been one of my favorites. However, I admit that I haven't seen it in a couple of decades. Will see if my enthusiasm is dampened at all when I watch it again sometime this year.

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    1. If you think of it, please let me know what your impression was for the rewatch.

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  4. I don't remember the story, except that it's the film where I fell in love with Veronica Lake. Didn't know she was 6 months pregnant at the time! I've been meaning to watch her other films, just somehow got away from it. I might give I Married a Witch (1942) a try for Halloween :)

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    1. I haven't seen that film, but I hope it's a good one.

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