Gravity was the first of this year’s Oscar nominees to make
a splash at the box office and it ended up tying with American Hustle for the
most Oscar nominations – ten. Four of
American Hustle’s nominations were in acting categories. Gravity wouldn’t have ever been able to match
that because the entire movie really only consists of two performers – Sandra
Bullock as Mission Specialist Dr. Ryan Stone and George Clooney as Mission
Commander Matt Kowalski. There are a few
other people seen or heard briefly, but their presence in the film is
minor. There is a vocal cameo by Ed
Harris as the voice of Mission Control, which is fitting given his Apollo 13
role. Bullock received an Oscar
nomination for Best Actress. Some
people, including myself, felt that Clooney might get a Best Supporting Actor
nomination, but he did not. Despite the
small cast Gravity really delivers in regards to characterization and a
compelling, edge of your seat story.
Gravity opens with Stone and Kowalski in space with the
Space Shuttle. Stone is attached to the
Shuttle’s arm, trying to replace a computer board in a satellite. Kowalski is on a space walk in the untethered
thruster unit that has been used many times on Shuttle missions. They get a notice from Mission Control that
the Russians have destroyed a satellite and that debris is spreading from
it. At first Mission Control thinks the
debris will be no problem, but it soon becomes apparent that it will. The Shuttle is destroyed and Dr. Stone is
flung off into space, still attached to the arm. Kowalski manages to talk her into calming
down enough to give him a frame of reference so he can come find her. The two decide to try to make their way to
the International Space Station via the thrusters in Kowalski’s unit. Dr. Stone is running dangerously low on
oxygen, though, and that debris field – now much larger from the Shuttle’s
destruction – is orbiting the Earth and will be back on top of them in 90
minutes. To make the situation even
worse, without the Shuttle they cannot communicate with Mission Control because
the radios in their suits do not have enough power. They are as on their own as any two human
beings can possibly be.
One thing that irks me a little bit in regards to Gravity’s
reception is the sheer number of people that keep referring to it as
“sci-fi”. Just because it takes place in
space does not mean it’s science fiction.
It takes place in present day, and shows technology at its current
levels. There are no ray guns, aliens,
time travel, future Earth, or any other SF elements. There is no difference between this film and
any other adventure drama except for its setting. Some people argue that a space station is
more complete than it is in the present day therefore it must be the future,
yet they ignore the fact that the Shuttle missions were halted in the
past. Gravity is simply a piece of
fiction that combines multiple near-Earth orbit space habitats.
All of the incredible space imagery in the film is
completely cgi. In some scenes the only
thing not digital is the face of the actor that we see behind his/her
facemask. You may wonder how Gravity got
a Best Cinematography nomination when most of the movie was not even filmed “in
camera”. There’s a precedent for it,
though. Avatar, which was about 60% an animated film not only received the same
nomination, it actually won.
Co-writer and Director Alfonso Cuaron (Children of Men)
tried to get this film made some years back, but the technology just wasn’t
there. After Avatar came out he tried
again and got a studio to greenlight it.
He has received a Best Director Oscar nomination, but not one for
writing. Frankly, this really surprises
me. The story in this film is certainly
worthy and to make room for it I would drop Dallas Buyers Club from the Best
Original Screenplay category. While it was a good movie, that
film’s writing was actually the biggest negative for me, whereas Gravity has a well-written
story.
Bullock more than earned her Best Actress nomination. I think this is a much better performance than
the one she gave that won her the Oscar.
She plays a person on her first space mission. Her character never really intended to be an
astronaut. She developed a piece of
technology and she was the best possible person to make sure it was installed
and running properly. She went through
enough of the astronaut training to be cleared for the mission, but she’s obviously
very inexperienced. Clooney’s character,
on the other hand, is the voice of experience.
He’s been on many missions and was planning to retire after this
one. Yes, change the setting and their
professions and you’ve got a cop drama with a grizzled veteran taking a rookie
under his wing while all of a sudden the city erupts into violence.
The only negative I have to say about this film is a minor
one, but it prevented the movie from getting a five star rating from me. Cuaron has come out and admitted that there
were times in the film where he decided to not be accurate in respect to how
things would happen in space. He did
this to try to pump up the emotion in scenes.
For me, this actually lessened those scenes some and kept them from
having a full impact on me because I was distracted by the mistakes. I won’t spoil what happens, but the biggest
emotional scene in the film was mostly ruined for me when they did something
that was just completely stupid. Yes,
I’ve got more than a passing interest in space travel so I’m a lot more likely
to pick up on mistakes like that than the average movie goer. When I’ve asked a few other people who have
watched the scene in question none of them ever realized the screw up. Unless you’ve got a similar knowledge of
space you probably won’t notice the mistakes, either, and therefore you will not have the problem with them that I did.
And just to be clear, this film does a very good job at
getting almost everything right. It’s
actually one of the best I’ve ever seen for 95% of the film. In a way, it may actually be this adherence
to accuracy in how things would react in space that made it much more
noticeable the few times they intentionally did not stay accurate. The 2009 film Moon is quite good and it
didn’t even try to replicate the effects of the Moon’s 1/6th gravity in most of the film and that did not
hurt it. Of course, when you name your
movie “Gravity” you probably do need to make sure you handle the effects of the
lack of gravity as accurately as you can.
Gravity is a gripping drama that is filled with stunning
images of space. It features a good
performance from George Clooney and an Oscar-nominated performance from Sandra
Bullock. It will certainly keep you
entertained. I can’t really think of
someone who wouldn’t like this movie, except for those folks who don’t like
tension and suspense. For everyone else,
I highly recommend this film.
Chip’s Rating: 4 out of 5 stars
I'm with you on this. I enjoyed the hell out of Gravity and for a lot of the reasons you say.
ReplyDeleteLike you, I'm a little surprised at the lack of a nomination for screenplay. I was pretty sure it was a lock because the writing is so strong. The dialogue is excellent, but it's the actual story that is worth watching here.
I get the annoyance at the inaccuracies, but I decided that I didn't really care. I was there for the visuals and the story, and both of those are about as good as it gets.
It wasn't the inaccuracies in and of themselves that bothered me; it was the timing of a couple of them during the most emotional scenes in the film. I was bothered because I knew I wasn't getting the emotional impact from those scenes that was intended.
DeletePicture the Rick and Ilsa scene at the airport in Casablanca. Now imagine just as it got to the biggest moment a chicken runs into the scene from out of nowhere, pecks at some things, then leaves the scene. It would have been distracting enough that it would have lessened the emotional impact of the scene.