James Whale is probably best known for directing
Frankenstein (1931) and The Bride of Frankenstein (1935), but he also brought
to the screen another of the classic horror characters – The Invisible
Man. Unlike the two Frankenstein movies,
this 1933 adaptation was much more faithful to H.G. Wells’ 1897 short
novel. The movie not only pioneered some
special effects techniques, but it also launched the film career of Claude
Rains who “appeared” as the title character.
The film was a sensation and has spawned over a dozen versions of the
concept since it was released, including comedic, horrific, and even erotic
ones.
The film opens with a mysterious stranger named Griffin (Rains) arriving at an Inn
in a small English village in the wintertime.
He is swaddled all in bandages and wears dark glasses. He rents a room and demands to be left
alone. After some time has passed he has
not paid his rent and has done damage to the room with the chemicals he is
experimenting with in there. The
innkeeper’s wife (Una O’Connor), a classic screen harridan if there ever was
one, has her husband go into his room and demand the stranger pay what he owes
and then leave. Griffin throws the innkeeper down the
stairs. When the police are called he
removes his bandages to reveal…nothing!
There is no head where one should be.
This frightens the innkeeper’s wife half to death. He then removes the rest of his clothes to
avoid the mob, steals a bicycle (watch for a younger Walter Brennan as the bike’s
owner), and makes his escape.
Dr. Griffin is a scientist who worked for Dr. Cranley (Henry
Travers) and who was courting his daughter Flora (Gloria Stuart, who more than
six decades later would play the elder Rose in 1997’s Titanic). Flora is worried about the fact that Griffin has
disappeared. Dr. Kemp (William
Harrigan), another assistant of Dr. Cranley’s, tries to search Griffin ’s lab, but all that is found is a
list of chemicals. One of them is quite
dangerous, though, and is capable of driving someone insane.
Griffin shows up at Kemp’s house, tells him how he
discovered how to make himself invisible, but has not yet found a way to
reverse it, then forces Kemp to be his accomplice. Griffin
plans to revenge himself on anyone he feels has done him wrong –starting with
the innkeepers. Griffin returns there and finds police have
arrived, but that they do not believe the story. Griffin
kills the policeman.
Meanwhile, Kemp is trying to get Dr. Cranley and the police
involved. When Griffin returns and sees Flora he becomes
less angry, but once he finds out Kemp has contacted the police he loses
it. He vows to kill Kemp and even names
a specific time. The police now believe the
story, but how do you catch an invisible man?
Claude Rains was chosen for the title role because of his
voice. The filmmakers wanted someone who
sounded intelligent and who spoke clearly.
And there are stories that Boris Karloff was originally approached for
the role, but that he either turned it down because he would not appear
onscreen, or because they would not pay him what he was owed. In either case, Karloff’s refusal was Rains’
opportunity of a lifetime. He would go
on to many classic roles including Mr. Smith Goes to Washington
(1939) and Casablanca
(1942), and earn four Oscar nominations.
The invisibility effects were a combination of props on
wires (the image of a burning cigarette floating in the air is iconic) and a
process they pioneered for removing parts of images from the final film. Now remember, this was several decades before
the use of computers to erase objects on screens. The filmmakers dressed Rains in a black suit
that covered his entire body, and then filmed him against a black background. They then shot another set of film without
Rains there at all. When he removed his
bandages revealing the black head covering against the black background, it was
if his head was not there. They then
matted this against the other film without Rains and voila – a man with no
visible head, yet still interacting with the objects in the room.
I don’t know how they shot a scene where footprints just
appear in the snow as Griffin
walks through it. I do know that they
are a goof, though, because they appear to be getting made by a shoe, yet Griffin has to be naked
to be completely invisible. I wonder if
this film would have passed the Production Code if it had been made just a year
or two later when it was being enforced.
The concept that there’s a naked man onscreen, even if you can’t see
him, probably would have bothered someone in the censor’s office.
Think that’s farfetched?
In 1986 Ronald Reagan signed a bill into law banning Braille editions of
Playboy from being in the United
States ’ Library of Congress. In case you’re wondering, they contain only
the articles that appear in each monthly issue.
Playboy has been producing Braille editions since 1970.
The Invisible Man is one of the classic “monster” movies
that you should see. Even if you don’t
think it’s up your alley, the impact it’s had on popular culture has been
huge. I recommend you give it a try.
Chip’s Rating: 3 out of 5 stars
I remember watching this with my Mum when I was younger. I loved it, and was blown away by a man that was "actually invisible." I doubt I'll love it as much today, but it has a soft spot in my heart. I'm a big fan of James Whale too :)
ReplyDeleteHaha, and I do find it funny that people in 1933 were technically watching a naked man on screen, even if it was invisible!
It's strange how we sometimes react to things we loved from childhood. Sometimes they disappoint, but sometimes the residual love carries over and we end up forgiving it the faults that we now see as adults. I've experienced both.
DeleteI agree it's had a huge impact. A part of me wonders why, though. For me, this is very much a lesser light in the series of classic Universal monsters films.
ReplyDeleteI think it has to do with the concept of being invisible. I think some people identify with him. Years ago I read about a poll where people were asked if they could have one superpower what would it be. The ability to fly was number one, but being able to turn invisible was either two or three.
DeleteI'll have to catch this one since it is so iconic!
ReplyDeleteBy the way Chip, I've just nominated you for a Sunshine Blog Award: http://cinephiliaque.blogspot.ca/2013/11/a-sun-that-never-setsalmost.html
Keep up the great work!
Michael, my deepest apologies for dropping the ball on this. It came in right before the American Thanksgiving holiday and when I got home from being with my family I just simply misplaced the email with your comment that I had left in my Inbox to remind me.
DeleteMy thanks to you for thinking of me for this. I'm sorry that I did not respond sooner.